Show
414 citations
related to Motion pictures; cinema; movies
Show
414 citations
related to Motion pictures; cinema; movies as a subject or category
Description Term used during the period 2002-present
Book
Mark Goble
(2025)
Downtime: The Twentieth Century in Slow Motion.
(/isis/citation/CBB738067389/)
Book
Marie Sophie Beckmann
(2025)
Films That Spill: Beyond the Cinema of Transgression.
(/isis/citation/CBB713216932/)
Book
Brian Jacobson
(2025)
The Cinema of Extractions: Film Materials and Their Forms.
(/isis/citation/CBB911970733/)
Article
Mehitabel Glenhaber; Hamsini Sridharan
(2025)
Precog visions: Predicting the future with the Minority Report sociotechnical imaginary.
Social Studies of Science
(pp. 37-61).
(/isis/citation/CBB323810934/)
Book
Hye Seung Chung
(2024)
Cinema under National Reconstruction: State Censorship and South Korea's Cold War Film Culture.
(/isis/citation/CBB075617535/)
Article
Nadeem Toodayan; Denis G. Robertson; Neil E. Anderson; et al.
(2024)
‘A divine right to photograph’: E. Graeme Robertson’s (1903–1975) historical motion pictures of National Hospital staff in 1933.
Journal of the History of the Neurosciences
(pp. 419-436).
(/isis/citation/CBB465465299/)
Book
Rachel DiNitto
(2024)
Eco-Disasters in Japanese Cinema.
(/isis/citation/CBB462014527/)
Article
Jason Finch
(August 2024)
Tramway closure representations as tools in critical urbanism: London and Glasgow on film, 1953–62.
The Journal of Transport History
(pp. 337-364).
(/isis/citation/CBB950668645/)
Book
Patrick Keating
(2024)
Film Noir and the Arts of Lighting.
(/isis/citation/CBB494276994/)
Book
Sarah Street; Joshua Yumibe
(2024)
Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB044843417/)
Chapter
KAMALIKA SANYAL; Sarah Street; Joshua Yumibe
(2024)
“We’re Not in Sweden Anymore”: Technicolor’s Brief Venture in Swedish Cinema.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB157251518/)
Chapter
PHILIP CAVENDISH; Sarah Street; Joshua Yumibe
(2024)
“Risk versus Conformity”: Soviet Color Film, 1956–1982.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB246470522/)
Chapter
Heather Heckman; Laura Major; Lydia Pappas; et al.
(2024)
The Chinese Film Collection at the University of South Carolina.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB997602582/)
Chapter
Stefan Soloman; Kathryn Millard; Sarah Street; et al.
(2024)
All about Landscape: The Shift to Color in Australian Film at Midcentury.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB304982522/)
Chapter
William Carroll; Sarah Street; Joshua Yumibe
(2024)
The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957–1963.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB342593664/)
Chapter
SARAH STREET; JOSHUA YUMIBE; Sarah Street; et al.
(2024)
Introduction.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB401447057/)
Chapter
RANJANI MA ZUMDAR; Sarah Street; Joshua Yumibe
(2024)
Eastman Color in 1960s India.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB615100214/)
Chapter
Sarah Street; Joshua Yumibe
(2024)
British Film Criticism and Global Color.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB652201703/)
Chapter
JOSEPHINE DIECKE; Sarah Street; Joshua Yumibe
(2024)
“Keeping Your Enemies Closer”: Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB799825452/)
Chapter
Rafael de Luna Freire; Sarah Street; Joshua Yumibe
(2024)
Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s.
In: Global Film Color: The Monopack Revolution at Midcentury.
(/isis/citation/CBB129146115/)
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