Book Mark Goble (2025)
Downtime: The Twentieth Century in Slow Motion. (/isis/citation/CBB738067389/) unapi

Book Marie Sophie Beckmann (2025)
Films That Spill: Beyond the Cinema of Transgression. (/isis/citation/CBB713216932/) unapi

Book Brian Jacobson (2025)
The Cinema of Extractions: Film Materials and Their Forms. (/isis/citation/CBB911970733/) unapi

Article Mehitabel Glenhaber; Hamsini Sridharan (2025)
Precog visions: Predicting the future with the Minority Report sociotechnical imaginary. Social Studies of Science (pp. 37-61). (/isis/citation/CBB323810934/) unapi

Book Hye Seung Chung (2024)
Cinema under National Reconstruction: State Censorship and South Korea's Cold War Film Culture. (/isis/citation/CBB075617535/) unapi

Article Nadeem Toodayan; Denis G. Robertson; Neil E. Anderson; et al. (2024)
‘A divine right to photograph’: E. Graeme Robertson’s (1903–1975) historical motion pictures of National Hospital staff in 1933. Journal of the History of the Neurosciences (pp. 419-436). (/isis/citation/CBB465465299/) unapi

Book Rachel DiNitto (2024)
Eco-Disasters in Japanese Cinema. (/isis/citation/CBB462014527/) unapi

Article Jason Finch (August 2024)
Tramway closure representations as tools in critical urbanism: London and Glasgow on film, 1953–62. The Journal of Transport History (pp. 337-364). (/isis/citation/CBB950668645/) unapi

Book Patrick Keating (2024)
Film Noir and the Arts of Lighting. (/isis/citation/CBB494276994/) unapi

Book Sarah Street; Joshua Yumibe (2024)
Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB044843417/) unapi

Chapter KAMALIKA SANYAL; Sarah Street; Joshua Yumibe (2024)
“We’re Not in Sweden Anymore”: Technicolor’s Brief Venture in Swedish Cinema. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB157251518/) unapi

Chapter PHILIP CAVENDISH; Sarah Street; Joshua Yumibe (2024)
“Risk versus Conformity”: Soviet Color Film, 1956–1982. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB246470522/) unapi

Chapter Heather Heckman; Laura Major; Lydia Pappas; et al. (2024)
The Chinese Film Collection at the University of South Carolina. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB997602582/) unapi

Chapter Stefan Soloman; Kathryn Millard; Sarah Street; et al. (2024)
All about Landscape: The Shift to Color in Australian Film at Midcentury. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB304982522/) unapi

Chapter William Carroll; Sarah Street; Joshua Yumibe (2024)
The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957–1963. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB342593664/) unapi

Chapter SARAH STREET; JOSHUA YUMIBE; Sarah Street; et al. (2024)
Introduction. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB401447057/) unapi

Chapter RANJANI MA ZUMDAR; Sarah Street; Joshua Yumibe (2024)
Eastman Color in 1960s India. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB615100214/) unapi

Chapter Sarah Street; Joshua Yumibe (2024)
British Film Criticism and Global Color. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB652201703/) unapi

Chapter JOSEPHINE DIECKE; Sarah Street; Joshua Yumibe (2024)
“Keeping Your Enemies Closer”: Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB799825452/) unapi

Chapter Rafael de Luna Freire; Sarah Street; Joshua Yumibe (2024)
Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s. In: Global Film Color: The Monopack Revolution at Midcentury. (/isis/citation/CBB129146115/) unapi