Article Cristiana Vieira; João Muchagata; Rita Gaspar; et al. (2022)
Biological models and replicas in Museu de História Natural e da Ciência da Universidade do Porto, Portugal. Archives of Natural History (pp. 269-284). (/isis/citation/CBB251819422/) unapi

Article S. Mohammad Mozaffari (2022)
A mechanical concentric solar model in Khāzinī’s Mu‘tabar zīj. Archive for History of Exact Sciences (pp. 513-529). (/isis/citation/CBB146147652/) unapi

Article Scott W. Schwartz (2022)
The energy glitch: Speculative histories and quantum counterfactuals. Endeavour: Review of the Progress of Science (p. 100836). (/isis/citation/CBB689238083/) unapi

Book Georg Striedter (2022)
Model Systems in Biology: History, Philosophy, and Practical Concerns. (/isis/citation/CBB401616956/) unapi

Article Christopher Pincock (2022)
Concrete Scale Models, Essential Idealization, and Causal Explanation. British Journal for the Philosophy of Science (pp. 299-323). (/isis/citation/CBB484696849/) unapi

Article Moa Carlsson (April 2022)
Computing views, remodeling environments. Social Studies of Science (pp. 227-252). (/isis/citation/CBB726932342/) unapi

Article Gregory Hollin (April 2022)
Consider the woodpecker: The contested more-than-human ethics of biomimetic technology and traumatic brain injury. Social Studies of Science (pp. 149-173). (/isis/citation/CBB135075297/) unapi

Article Karen A. Rader (2022)
Reflections on Making Mice (2004). Journal of the History of Biology (pp. 29-33). (/isis/citation/CBB321873815/) unapi

Article Brad Bolman (2022)
Introduction: What Right? Which Organisms? Why Jobs?. Journal of the History of Biology (pp. 3-13). (/isis/citation/CBB702630053/) unapi

Article Angela N. H. Creager (2022)
Model Organisms Unbound. Journal of the History of Biology (pp. 21-28). (/isis/citation/CBB532396920/) unapi

Chapter Roberta Ballestriero; Marco Tosa (2022)
From the Doge's funeral masks to the 'children with no names'. The art of wax modelling in Venice. In: Ceroplastics: The Science of Wax (pp. 241-250). (/isis/citation/CBB512371226/) unapi

Chapter Laura Cunningham (2022)
Waxing and Waning: The curious case of an early Eaton’s wax display mannequin. In: Ceroplastics: The Science of Wax (pp. 223-240). (/isis/citation/CBB254749156/) unapi

Chapter Francesco Loy; Michela Isola (2022)
Further anatomical findings in the wax models of Susini and Boi at the University of Cagliari. In: Ceroplastics: The Science of Wax (pp. 79-84). (/isis/citation/CBB045078904/) unapi

Chapter Marco Antonio Miranda Razo (2022)
Rescue of ancient pigments for the current ceroplastic technique, performed by the Mexican artisan Marco A. Miranda. In: Ceroplastics: The Science of Wax (pp. 271-276). (/isis/citation/CBB284313499/) unapi

Chapter Andrea Cozza; Giovanni Battista Nardelli; Maurizio Rippa Bonati (2022)
The wax models of the gynaecological and obstetric clinic of the University of Padua. In: Ceroplastics: The Science of Wax (pp. 19-30). (/isis/citation/CBB677436556/) unapi

Chapter Thomas Schnalke (2022)
Finger Faces. Wax Hand Models and Moulages in Medicine. In: Ceroplastics: The Science of Wax (pp. 159-174). (/isis/citation/CBB730467792/) unapi

Chapter Eleanor Crook (2022)
A New Sculpture Commission for the Wellcome Galleries of Medicine, Science Museum London. In: Ceroplastics: The Science of Wax (pp. 277-288). (/isis/citation/CBB962739816/) unapi

Chapter Roberta Ballestriero; Fausto Barbagli; Stefania Lotti (2022)
Italian fungi models: a teaching aid to avoid mushroom poisoning in the XIX century. In: Ceroplastics: The Science of Wax (pp. 133-148). (/isis/citation/CBB735744062/) unapi

Chapter Kimberly Johnson (2022)
Ceroplasty’s Future: The Plastinates of Gunther von Hagens’ Body Worlds and the Visual Language of Modernity. In: Ceroplastics: The Science of Wax (pp. 319-330). (/isis/citation/CBB008027139/) unapi

Chapter Alfons Zarzoso; Chloe Sharpe (2022)
Wax models in Barcelona: from university anatomical sculptors to makers of dermatological waxworks. In: Ceroplastics: The Science of Wax (pp. 97-107). (/isis/citation/CBB694087437/) unapi