Essay Review Christoph Lüthy (2018)
“The Reinvention of Seeing”: Vermeer, Leuwenhoek, and Their Optical Instruments. Science and Education. (/isis/citation/CBB990662099/) unapi

Book Laura J. Snyder (2016)
Eye of the Beholder: Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing. (/isis/citation/CBB362117352/) unapi

Book Huerta, Robert D. (2005)
Vermeer and Plato: Painting the Ideal. (/isis/citation/CBB000650560/) unapi

Article Steadman, Philip (2005)
Allegory, Realism, and Vermeer's Use of the Camera Obscura. Early Science and Medicine: A Journal for the Study of Science, Technology and Medicine in the Pre-modern Period (p. 287). (/isis/citation/CBB000502152/) unapi

Book Huerta, Robert D. (2003)
Giants of Delft: Johannes Vermeer and the Natural Philosophers: The Parallel Search for Knowledge during the Age of Discovery. (/isis/citation/CBB000470395/) unapi

Article Mills, Allan A. (1998)
Vermeer and the camera obscura: Some practical considerations. Leonardo (pp. 213-218). (/isis/citation/CBB000076730/) unapi

Article Gill, Russell B. (1996)
The Intuitive Geometry of Spinoza and Vermeer. 1650--1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (p. 39). (/isis/citation/CBB000952369/) unapi

Article Welu, James A. (1978)
The map in Vermeer's Art of painting. Imago Mundi: A Review of Early Cartography (pp. 9-30). (/isis/citation/CBB000007762/) unapi