Article Amanda Taylor (2018)
The Compounded Body: Bodily Knowledge Production in the Works of Andreas Vesalius and Edmund Spenser. Journal of Medieval and Early Modern Studies (pp. 153-182). (/isis/citation/CBB197489403/) unapi

Thesis Hodes, Nathaniel (2014)
The Muses' Method: Logic and the Moral Function of English Renaissance Poetry. (/isis/citation/CBB001567584/) unapi

Chapter Berg, Sara van den (2013)
Dwarf Aesthetics in Spenser's Faerie Queene and the Early Modern Court. In: Recovering Disability in Early Modern England (p. 23). (/isis/citation/CBB001201693/) unapi

Thesis Cordell, Jeffrey Ernst (2008)
Error's License: Defending Poetry and Science in Renaissance England. (/isis/citation/CBB001561377/) unapi

Thesis Koepke-Nelson, Yvette Michelle (2003)
Allegories of Mastery: Sex, Science, and the Making of the Modern Body in Renaissance Utopias. (/isis/citation/CBB001561952/) unapi

Thesis Noble, Louise Christine (2002)
Corpus salubre: Medicinal cannibalism in early modern English culture. (/isis/citation/CBB001562533/) unapi

Book Schoenfeldt, Michael C. (1999)
Bodies and Selves in Early Modern England: Physiology and Inwardness in Spenser, Shakespeare, Herbert, and Milton. (/isis/citation/CBB000111446/) unapi

Book Richardson, J. Michael (1989)
Astrological symbolism in Spenser's The shepheardes calender: The cultural background of a literary text. (/isis/citation/CBB000029614/) unapi

Chapter Heath-Stubbs, John (1989)
The astrological basis of Spenser's Shephearde's Calender. In: History and astrology: Clio and Urania confer (p. 137). (/isis/citation/CBB000040906/) unapi